Z
Zach Weiss
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Having a watch associated with a famous film character is a sure way to concrete its place in history. Obviously the most famous example being James Bond and his Rolex Submariner, Omega Seamasters and a plethora of others that rode the character’s coat tails to higher sales. Well, in the history of cult classics there is perhaps no watch that is more interesting, or associated with a cooler character than the Seiko x Giugiaro watch worn by Ripley in James Cameron’s amazing horror/action film from 1986, Aliens.
Now, I could probably write a few thousand words on that film as well as the other in the Aliens series, as I am a huge fan and have seen them all several times to dozens of time. Yes, I even am a fan of Alien: Resurrection, which was directed by Jean-Pierre Jeunet (and written by Joss Whedon), who is better known for films like Amelie. I also love H.R. Giger, and have had books of his work on my shelf since I was in high school. His Xenomorph designs and bio-architecture concepts have never been equalled in the horror genre. And as for Aliens, perhaps the most fun of the Alien films, I’ve seen it too many times to count. Game over man.
But I will admit, in my years of watch collecting, I never sought out the Seiko x Giugiaro 7a28-7000 watch worn by Ripley in the film. They are rare, often in poor condition, and simply quite odd. Not something that I felt I had to have. But, when Seiko announced they would be reissuing a limited edition of the watch, my interests changed. Now, it would be easy to have one, and for a fairly reasonable price too. This was a watch I needed to at least try on.
But to backtrack, it’s not just the Ripley association that interests me at this point; it’s also the designer. Giorgetto Giugiaro is an Italian automotive designer who created many extremely iconic cars, such as various Alfa Romeos, the 1977 BMW M1 (which was a legit race car let out on the street) and, perhaps most famously for us film fans, the DeLorean. In 1983, Seiko released a handful of motoring watches, labeled the Speedmaster line (hmmm), designed by Giugiaro. Their aesthetics were unlike anything before or after, and perfectly exemplified a sort of harsh-futuristic design aesthetic from the era. There were a few powered by Seiko’s venerable 7a28 movement, and a few with digital designs.
It was then a happy accident that the watch ended up on Sigourney Weaver’s wrist, as these weren’t designed for the film. That said, I don’t think anything more perfect could have been created for the film. It suits a bleak future where giant space mining companies and grunt workers and soldiers have to risk their lives on missions into unknown space. The blocky design is at once futuristic and utilitarian. Made by a society with advanced technology, but a brutal, almost fascist aesthetic. Ripley was not a weak character; she was tough, brave and aggressive. It’s the watch she would have worn.
Fastforward to 2016, and now the watch is available again. No longer under the Speedmaster name, but rather under their Spirit Smart line, as the SCED035. There are several other colorways as well, but it’s the 035 that earns the title of the Ripley. These are a Japanese domestic market release, and a limited edition of 3,000 pieces, but obviously they can be obtained here. The going rate is in the $350 range, though the actual price is a bit less. With that said, it’s not a lot for an awesome and unique watch, especially if you’re a fan of the films.
Seiko x Giugiaro SCED035 “Ripley” Review
Case: Steel
Movement: Seiko 7T12
Dial: Black and Gray
Lume: NA
Lens: Hardlex
Strap: Steel Bracelet
Water Res.: 100 m
Dimensions: 40 x 42.25 mm
Thickness: 11 mm
Lug Width: 18 mm
Crown: 4.5mm
Warranty: NA
Price: $350ish
Case
The signature case design of the Ripley is love it or leave, but by virtue of the fact that you’re reading this, I’m guessing you’re in the love camp. Closely replicating the case of the ’83 original, the watch is of modest proportions though it looks large due to the eccentric housing on the right side. At 40 x 42.25 x 11mm, dimensioned without the housing, it’s a nice medium sized watch, certainly smaller than many modern sport watches. The housing then adds another 3mm in width, and is 36mm long itself. It definitely gives the watch a large appearance, and looks unwieldy, but it wears surprisingly well, and the housing isn’t uncomfortable.
Looking at the design, it’s complexity is a bit of an illusion, as it really is a few simple geometric shapes combined together. The main case is a monoblock construction with a snap-on case back. It’s basically a cylinder with a rectangle passing through it, which creates the short hooded lugs. At a glance it might appear as though there is a bezel, but it’s an illusion created by a tiered trench that runs around the case. This creates a strong circular element to the design, which pulls the eye to the dial.
The pusher housing is then bolted on to the right side, which is obvious through the use of two large hex screws on either side of the crown. I quite like the look of the exposed screws, as they add an industrial detail to the already machine-like watch. The crown is nestled within the housing, fully protected from bumps or snags. The crown is fairly small, measuring about 4.5mm across, and is a bit tricky to use, though it’s not something you’ll deal with often, as it is a quartz watch. To aid in use and pulling the crown out, the underside of the housing is scooped away.
Of course, the point of the housing is really to create a mechanism for putting the pushers vertical. Rather than the typical 2 and 4 arrangement, the pushers are now above and below the case. They also aren’t your typical metal, round pushers, rather they are black, plastic cubes with a slight taper. I like how they look, and they provide a nice wide area to press on, though the construction here is a bit disappointing. It’s not so much the use of plastic, which on other colorways of the watch is more important, it’s that the pushers have a lot of wiggle room. So, they are rarely in straight and can turn side to side. Better tolerances would have made a big difference.
The case is matte finished all over, and has an interesting grey color. I’m not sure if it’s coated or just bead blasted, but it has a cool, dull tone. Sort of like titanium, perhaps a bit brighter. It gives the watch a very industrial feel, which, when pictured against the gloomy backdrop of Aliens makes a lot of sense. I do think there is some risk of scratching it however, as the back of the lug, where the bracelet rubs against the case, is showing some wear. This does leave me some concern when battery replacement is needed, as getting off the case back runs a risk of scratching as well.
Dial
The dial of the Ripley also stays very true to the original, and is a simple, attractive design. At a glance, there is almost a sense that the Ripley is very complex, because it’s so strange and unlike other watches you’ve seen. But the elements are all straightforward and the dial itself isn’t very strange at all. In fact, it’s use of a reduced palette that still has some color would be welcome in more modern watches, which tend to either stay away from color or go too far with it.
The dials consists of two surfaces and a chapter ring. The top surface is matte black and features a mustard yellow index. The index features large rectangles at the hour, smaller lines per minute/second and very small lines per 1/5th second. It always annoys me when quartz watches have 1/5th seconds marks, but chronographs that tick at one second intervals. Luckily, the Ripley features a quartz movement that does tick at 1/5th second intervals, which is very uncommon.
The lower surface is seen through a large partial-circle cutout in the upper black surface. Some people say this looks like a smile, which I suppose I can see in a sort of deadmau5 way, though when I look at the watch that’s not what comes to mind. Anyway, the lower surface is also matte, but has a slight metallic sheen. It’s a warm, dark gray that plays off of the black above it, the lighter gray of the case while picking up some color from the index and hands. It’s very subtle color that contrasts with the black ever so slightly.
On this surface at 3, 6 and 9 are sub-dials for 24-hr, 60-minute counter and active seconds, respectively. This is the biggest departure from the original 1983 model, as the 7a28 movement featured 1/10th second, active seconds and a 30-minute counter at 3, 6 and 9. Sticking to the original would have been nice, though I do like having a 60-minute counter instead of a 30. That said, a 24-hr hand just feels kind of pointless here as a normal chrono hour-counter would been more useful. Lastly, cut through the lower dial at 3 is a date window with a white on black date. It’s not the end of the world as it’s fairly easy to forget about, but it wasn’t on the original, and it doesn’t need to be here.
The hour and minute hands are fence posts in burnt orange with black lines running down their middle. No lume, oddly, but the design is striking. Speaking to the original design intent of the Giugiaro watches as for motorists, the orange hands certainly have a racing feel. The chrono-seconds hand is then a thin stick that matches the mustard yellow of the index below. One cool detail of the seconds hand is that it looks like it stays very thin as it passes through the center of the watch, but it actually connects to a black disk, with the hand painted on it. This gives the hand the illusion of being almost impossibly thin.
All together, the dial is very cohesive, legible and attractive. It does have a sort of dark, retro-future feel to it, but that is largely in conjunction with the case. This dial in another setting could feel very normal.
The post Seiko x Giugiaro SCED035 “Ripley” Review appeared first on worn&wound.
Continue reading...
Let us know your thoughts and impressions.
Having a watch associated with a famous film character is a sure way to concrete its place in history. Obviously the most famous example being James Bond and his Rolex Submariner, Omega Seamasters and a plethora of others that rode the character’s coat tails to higher sales. Well, in the history of cult classics there is perhaps no watch that is more interesting, or associated with a cooler character than the Seiko x Giugiaro watch worn by Ripley in James Cameron’s amazing horror/action film from 1986, Aliens.
Now, I could probably write a few thousand words on that film as well as the other in the Aliens series, as I am a huge fan and have seen them all several times to dozens of time. Yes, I even am a fan of Alien: Resurrection, which was directed by Jean-Pierre Jeunet (and written by Joss Whedon), who is better known for films like Amelie. I also love H.R. Giger, and have had books of his work on my shelf since I was in high school. His Xenomorph designs and bio-architecture concepts have never been equalled in the horror genre. And as for Aliens, perhaps the most fun of the Alien films, I’ve seen it too many times to count. Game over man.
But I will admit, in my years of watch collecting, I never sought out the Seiko x Giugiaro 7a28-7000 watch worn by Ripley in the film. They are rare, often in poor condition, and simply quite odd. Not something that I felt I had to have. But, when Seiko announced they would be reissuing a limited edition of the watch, my interests changed. Now, it would be easy to have one, and for a fairly reasonable price too. This was a watch I needed to at least try on.
But to backtrack, it’s not just the Ripley association that interests me at this point; it’s also the designer. Giorgetto Giugiaro is an Italian automotive designer who created many extremely iconic cars, such as various Alfa Romeos, the 1977 BMW M1 (which was a legit race car let out on the street) and, perhaps most famously for us film fans, the DeLorean. In 1983, Seiko released a handful of motoring watches, labeled the Speedmaster line (hmmm), designed by Giugiaro. Their aesthetics were unlike anything before or after, and perfectly exemplified a sort of harsh-futuristic design aesthetic from the era. There were a few powered by Seiko’s venerable 7a28 movement, and a few with digital designs.
It was then a happy accident that the watch ended up on Sigourney Weaver’s wrist, as these weren’t designed for the film. That said, I don’t think anything more perfect could have been created for the film. It suits a bleak future where giant space mining companies and grunt workers and soldiers have to risk their lives on missions into unknown space. The blocky design is at once futuristic and utilitarian. Made by a society with advanced technology, but a brutal, almost fascist aesthetic. Ripley was not a weak character; she was tough, brave and aggressive. It’s the watch she would have worn.
Fastforward to 2016, and now the watch is available again. No longer under the Speedmaster name, but rather under their Spirit Smart line, as the SCED035. There are several other colorways as well, but it’s the 035 that earns the title of the Ripley. These are a Japanese domestic market release, and a limited edition of 3,000 pieces, but obviously they can be obtained here. The going rate is in the $350 range, though the actual price is a bit less. With that said, it’s not a lot for an awesome and unique watch, especially if you’re a fan of the films.
Seiko x Giugiaro SCED035 “Ripley” Review
Case: SteelMovement: Seiko 7T12
Dial: Black and Gray
Lume: NA
Lens: Hardlex
Strap: Steel Bracelet
Water Res.: 100 m
Dimensions: 40 x 42.25 mm
Thickness: 11 mm
Lug Width: 18 mm
Crown: 4.5mm
Warranty: NA
Price: $350ish
Case
The signature case design of the Ripley is love it or leave, but by virtue of the fact that you’re reading this, I’m guessing you’re in the love camp. Closely replicating the case of the ’83 original, the watch is of modest proportions though it looks large due to the eccentric housing on the right side. At 40 x 42.25 x 11mm, dimensioned without the housing, it’s a nice medium sized watch, certainly smaller than many modern sport watches. The housing then adds another 3mm in width, and is 36mm long itself. It definitely gives the watch a large appearance, and looks unwieldy, but it wears surprisingly well, and the housing isn’t uncomfortable.
Looking at the design, it’s complexity is a bit of an illusion, as it really is a few simple geometric shapes combined together. The main case is a monoblock construction with a snap-on case back. It’s basically a cylinder with a rectangle passing through it, which creates the short hooded lugs. At a glance it might appear as though there is a bezel, but it’s an illusion created by a tiered trench that runs around the case. This creates a strong circular element to the design, which pulls the eye to the dial.
The pusher housing is then bolted on to the right side, which is obvious through the use of two large hex screws on either side of the crown. I quite like the look of the exposed screws, as they add an industrial detail to the already machine-like watch. The crown is nestled within the housing, fully protected from bumps or snags. The crown is fairly small, measuring about 4.5mm across, and is a bit tricky to use, though it’s not something you’ll deal with often, as it is a quartz watch. To aid in use and pulling the crown out, the underside of the housing is scooped away.
Of course, the point of the housing is really to create a mechanism for putting the pushers vertical. Rather than the typical 2 and 4 arrangement, the pushers are now above and below the case. They also aren’t your typical metal, round pushers, rather they are black, plastic cubes with a slight taper. I like how they look, and they provide a nice wide area to press on, though the construction here is a bit disappointing. It’s not so much the use of plastic, which on other colorways of the watch is more important, it’s that the pushers have a lot of wiggle room. So, they are rarely in straight and can turn side to side. Better tolerances would have made a big difference.
The case is matte finished all over, and has an interesting grey color. I’m not sure if it’s coated or just bead blasted, but it has a cool, dull tone. Sort of like titanium, perhaps a bit brighter. It gives the watch a very industrial feel, which, when pictured against the gloomy backdrop of Aliens makes a lot of sense. I do think there is some risk of scratching it however, as the back of the lug, where the bracelet rubs against the case, is showing some wear. This does leave me some concern when battery replacement is needed, as getting off the case back runs a risk of scratching as well.
Dial
The dial of the Ripley also stays very true to the original, and is a simple, attractive design. At a glance, there is almost a sense that the Ripley is very complex, because it’s so strange and unlike other watches you’ve seen. But the elements are all straightforward and the dial itself isn’t very strange at all. In fact, it’s use of a reduced palette that still has some color would be welcome in more modern watches, which tend to either stay away from color or go too far with it.
The dials consists of two surfaces and a chapter ring. The top surface is matte black and features a mustard yellow index. The index features large rectangles at the hour, smaller lines per minute/second and very small lines per 1/5th second. It always annoys me when quartz watches have 1/5th seconds marks, but chronographs that tick at one second intervals. Luckily, the Ripley features a quartz movement that does tick at 1/5th second intervals, which is very uncommon.
The lower surface is seen through a large partial-circle cutout in the upper black surface. Some people say this looks like a smile, which I suppose I can see in a sort of deadmau5 way, though when I look at the watch that’s not what comes to mind. Anyway, the lower surface is also matte, but has a slight metallic sheen. It’s a warm, dark gray that plays off of the black above it, the lighter gray of the case while picking up some color from the index and hands. It’s very subtle color that contrasts with the black ever so slightly.
On this surface at 3, 6 and 9 are sub-dials for 24-hr, 60-minute counter and active seconds, respectively. This is the biggest departure from the original 1983 model, as the 7a28 movement featured 1/10th second, active seconds and a 30-minute counter at 3, 6 and 9. Sticking to the original would have been nice, though I do like having a 60-minute counter instead of a 30. That said, a 24-hr hand just feels kind of pointless here as a normal chrono hour-counter would been more useful. Lastly, cut through the lower dial at 3 is a date window with a white on black date. It’s not the end of the world as it’s fairly easy to forget about, but it wasn’t on the original, and it doesn’t need to be here.
The hour and minute hands are fence posts in burnt orange with black lines running down their middle. No lume, oddly, but the design is striking. Speaking to the original design intent of the Giugiaro watches as for motorists, the orange hands certainly have a racing feel. The chrono-seconds hand is then a thin stick that matches the mustard yellow of the index below. One cool detail of the seconds hand is that it looks like it stays very thin as it passes through the center of the watch, but it actually connects to a black disk, with the hand painted on it. This gives the hand the illusion of being almost impossibly thin.
All together, the dial is very cohesive, legible and attractive. It does have a sort of dark, retro-future feel to it, but that is largely in conjunction with the case. This dial in another setting could feel very normal.
The post Seiko x Giugiaro SCED035 “Ripley” Review appeared first on worn&wound.
Continue reading...
Let us know your thoughts and impressions.