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Zach Weiss
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Around this time last year, Stowa released the Antea “back to bauhaus” series. The “b2b” was an offshoot of the classic Antea line, which itself pulls inspiration from a watch Stowa first produced in the 1920s. The b2b was yet another product born of the collaboration between Stowa and famed German designer, Hartmut Esslinger, who also designed the Rana and Stowa’s new logo.
The b2b series was not without controversy, however. Some longtime Stowa fans were puzzled by the release, questioning Schauer’s direction for a brand that had for nearly 20 years produced timepieces based on tried-and-true designs from its historical catalogue. The trepidation online was also likely compounded by the fact that Stowa had recently made other changes that proved to be divisive, with the most obvious example being the aforementioned logo redesign.
Others—and I include myself in that group—were intrigued by the release. Few reservations aside, I liked the concept on paper, especially the myriad of color options and the dial redesign, but I have to admit that the press release photos left a lot to be desired. Nevertheless, as a huge fan of both Stowa and Mr. Schauer, I wanted to reserve judgment until I saw the collection in person. That was finally realized at Baselworld 2015, and with the watches on wrist, any lingering concerns quickly dissipated. We knew that we had to get one in for review.
The b2b series comes in three primary styles: the 355 features a 35.5mm stainless steel case and is powered by an ETA/Peseux 7001 top grade movement, and both the 365 (36.5mm case) and the 390 (39mm case) variants come equipped with an ETA 2824-2 top grade movement available with or without date. All three styles exist in 6 distinct colors: black, white, brown, green, blue, and pink. The watch being reviewed today is the black 355 currently available from Stowa for €950, or €798,32 (approximately $850) excluding V.A.T. for those of us outside the European Union. Let’s take a closer look.
Stowa Antea Back to Bauhaus Review
Case: Stainless Steel
Movement: Peseux/ETA 7001 “top-grade”
Dial: Matte Black
Lume: N/A
Lens: Flat Sapphire Crystal with AR
Strap: Leather
Water Resistance: 3 atm
Dimensions: 35.5mm X 44.6mm
Thickness: 6.8 mm
Lug Width: 18mm
Crown: Pull Out
Warranty: 2 Years
Price: €950, or €798,32 (approximately $850) without V.A.T.
Case
Esslinger left the Antea case largely intact, so it’s basically the same one you’d find on the classic Antea KS model, which comes in at 35.5mm wide with a height of 6.8mm and a lug-to-lug length of approximately 44.6mm. In my review of the Antea KS, I wrote:
“…the Antea KS is a masterclass in minimalist design. Eschewing many modern design cues, the Antea instead favors straight lines and hard angles: the sides of the case go straight down, the flat sapphire crystal is enclosed by a level bezel that is slightly narrower than the mid-case, and the lugs are angled batons jutting out from the sides of the case.
From the top down, the case forms a perfect circle (lugs aside). From the side, the angled lugs emphasize the severity and intricacy of the design. All elements of the 3-piece stainless steel case come together seamlessly and are anchored by a beautiful high polish finish.”
My assessment when Stowa first released the b2b line was that it needed a different case, perhaps something a touch softer to match the new dial. But in person, the contrast between case and dial works exceptionally well, giving the watch a modern touch while firmly grounding it in the brand’s storied roots. In retrospect, I am glad Stowa left the case as is. With that said, there is one significant change: the crown. Stowa has included a larger crown on the 355 for easier grip when winding, and they intend to standardize it across the Antea and Partitio lines.
Flipping the watch around, the case back lays out all the specs and features a sapphire crystal showcasing the finely finished ETA/Peseux 7001 movement. This is the same movement used by Nomos before they developed their alpha caliber based largely on the design and architecture of the 7001. The case back is secured with 6 small screws.
Dial
As I previously mentioned, the initial announcement of the “b2b” series was met with some trepidation, with the sticking point obviously being the dial. Indeed, at first glance the redesign—with its quirky numerals and the enthusiastic use of color—does appear to be a huge departure for a brand that has been historically conservative. But the more I thought about it, the more the move made sense, and finally after handling the watches and spending a few weeks wearing one I grew to love the b2b series.
The face is practically all dial, accentuated by the narrow bezel and flat case design. The first thing that pulls in your eye is the typeface Esslinger chose, aptly named Bauhaus STD. Designed by Ed Benguiat and Victor Caruso in 1975, Bauhaus STD is based on an older iconic typeface created by Herbert Bayer in the mid-20s. Conceptually, Esslinger saw his choice as a return to a design that could have originally been part of the historic Antea line, hence the name, “back to bauhaus.” History aside, the Bauhaus STD typeface gives the watch a playful and whimsical feel, and I personally love the overall airiness of it (note the wide loops on the “2”). It also has the added benefit of distancing the series from the rest of the Antea line, as well as competitors like Nomos and other German brands producing similar Bauhaus-inspired watches.
The layout of the dial is rather simple and representative of the typical 7001 arrangement. There is a seconds sub-dial right over the 6 o’clock marker, with the minutes and hours hands centrally mounted. Like on the classic Antea, there is a radial flip of the hour markers (note how the numbers are read from the inside of the dial from 9 to 3, then from the outside between 4 and 8). There is an outer minutes index represented via a series of dots, with the dot at every 5-minute interval larger than the rest. This motif is carried over to the sub-dial, with dots at every 5-second interval. The hands are a simple baton style painted white, and the contrast between the matte black dial and white hands and markers is quite striking. It should be noted that the printing is impeccable, as is usually the case with Stowa watches.
The post Stowa Antea Back to Bauhaus appeared first on worn&wound.
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Let us know your thoughts and impressions.
Around this time last year, Stowa released the Antea “back to bauhaus” series. The “b2b” was an offshoot of the classic Antea line, which itself pulls inspiration from a watch Stowa first produced in the 1920s. The b2b was yet another product born of the collaboration between Stowa and famed German designer, Hartmut Esslinger, who also designed the Rana and Stowa’s new logo.
The b2b series was not without controversy, however. Some longtime Stowa fans were puzzled by the release, questioning Schauer’s direction for a brand that had for nearly 20 years produced timepieces based on tried-and-true designs from its historical catalogue. The trepidation online was also likely compounded by the fact that Stowa had recently made other changes that proved to be divisive, with the most obvious example being the aforementioned logo redesign.
Others—and I include myself in that group—were intrigued by the release. Few reservations aside, I liked the concept on paper, especially the myriad of color options and the dial redesign, but I have to admit that the press release photos left a lot to be desired. Nevertheless, as a huge fan of both Stowa and Mr. Schauer, I wanted to reserve judgment until I saw the collection in person. That was finally realized at Baselworld 2015, and with the watches on wrist, any lingering concerns quickly dissipated. We knew that we had to get one in for review.
The b2b series comes in three primary styles: the 355 features a 35.5mm stainless steel case and is powered by an ETA/Peseux 7001 top grade movement, and both the 365 (36.5mm case) and the 390 (39mm case) variants come equipped with an ETA 2824-2 top grade movement available with or without date. All three styles exist in 6 distinct colors: black, white, brown, green, blue, and pink. The watch being reviewed today is the black 355 currently available from Stowa for €950, or €798,32 (approximately $850) excluding V.A.T. for those of us outside the European Union. Let’s take a closer look.
Stowa Antea Back to Bauhaus Review
Case: Stainless SteelMovement: Peseux/ETA 7001 “top-grade”
Dial: Matte Black
Lume: N/A
Lens: Flat Sapphire Crystal with AR
Strap: Leather
Water Resistance: 3 atm
Dimensions: 35.5mm X 44.6mm
Thickness: 6.8 mm
Lug Width: 18mm
Crown: Pull Out
Warranty: 2 Years
Price: €950, or €798,32 (approximately $850) without V.A.T.
Case
Esslinger left the Antea case largely intact, so it’s basically the same one you’d find on the classic Antea KS model, which comes in at 35.5mm wide with a height of 6.8mm and a lug-to-lug length of approximately 44.6mm. In my review of the Antea KS, I wrote:
“…the Antea KS is a masterclass in minimalist design. Eschewing many modern design cues, the Antea instead favors straight lines and hard angles: the sides of the case go straight down, the flat sapphire crystal is enclosed by a level bezel that is slightly narrower than the mid-case, and the lugs are angled batons jutting out from the sides of the case.
From the top down, the case forms a perfect circle (lugs aside). From the side, the angled lugs emphasize the severity and intricacy of the design. All elements of the 3-piece stainless steel case come together seamlessly and are anchored by a beautiful high polish finish.”
My assessment when Stowa first released the b2b line was that it needed a different case, perhaps something a touch softer to match the new dial. But in person, the contrast between case and dial works exceptionally well, giving the watch a modern touch while firmly grounding it in the brand’s storied roots. In retrospect, I am glad Stowa left the case as is. With that said, there is one significant change: the crown. Stowa has included a larger crown on the 355 for easier grip when winding, and they intend to standardize it across the Antea and Partitio lines.
Flipping the watch around, the case back lays out all the specs and features a sapphire crystal showcasing the finely finished ETA/Peseux 7001 movement. This is the same movement used by Nomos before they developed their alpha caliber based largely on the design and architecture of the 7001. The case back is secured with 6 small screws.
Dial
As I previously mentioned, the initial announcement of the “b2b” series was met with some trepidation, with the sticking point obviously being the dial. Indeed, at first glance the redesign—with its quirky numerals and the enthusiastic use of color—does appear to be a huge departure for a brand that has been historically conservative. But the more I thought about it, the more the move made sense, and finally after handling the watches and spending a few weeks wearing one I grew to love the b2b series.
The face is practically all dial, accentuated by the narrow bezel and flat case design. The first thing that pulls in your eye is the typeface Esslinger chose, aptly named Bauhaus STD. Designed by Ed Benguiat and Victor Caruso in 1975, Bauhaus STD is based on an older iconic typeface created by Herbert Bayer in the mid-20s. Conceptually, Esslinger saw his choice as a return to a design that could have originally been part of the historic Antea line, hence the name, “back to bauhaus.” History aside, the Bauhaus STD typeface gives the watch a playful and whimsical feel, and I personally love the overall airiness of it (note the wide loops on the “2”). It also has the added benefit of distancing the series from the rest of the Antea line, as well as competitors like Nomos and other German brands producing similar Bauhaus-inspired watches.
The layout of the dial is rather simple and representative of the typical 7001 arrangement. There is a seconds sub-dial right over the 6 o’clock marker, with the minutes and hours hands centrally mounted. Like on the classic Antea, there is a radial flip of the hour markers (note how the numbers are read from the inside of the dial from 9 to 3, then from the outside between 4 and 8). There is an outer minutes index represented via a series of dots, with the dot at every 5-minute interval larger than the rest. This motif is carried over to the sub-dial, with dots at every 5-second interval. The hands are a simple baton style painted white, and the contrast between the matte black dial and white hands and markers is quite striking. It should be noted that the printing is impeccable, as is usually the case with Stowa watches.
The post Stowa Antea Back to Bauhaus appeared first on worn&wound.
Continue reading...
Let us know your thoughts and impressions.